Maria Full of Grace (2004)
Director: Joshua Marston
HBO Films, Fine Line Features
Reviewed by Popcorn and the Kernels - 5/3/05
Another movie, in the vein of Dirty Pretty Things (2002), reveals that people in some sense illegally here from other countries are, indeed, people.
Catalina Sandino Moreno makes her movie debut as Maria Alvarez, a teenager growing up in rural Colombia who becomes a drug "mule" to help her family. The scenes in Colombia are full of significance; they’re also so authentic you’ll swear this is a documentary. She’s a well-meaning, hardworking girl in a flower factory who gets pregnant by her layabout boyfriend with no future. (Obviously, she made a bad choice with that one.)
Her family, especially her unemployed, suspiciously ill, divorced sister, uses Maria. They expect her to adhere to the strict rules at work and bring home a paycheck so they can live better and retain their comparative amenities. Maria has a fiery, independent spirit. She won’t marry the loser boyfriend, gets fired by an unreasonable boss, and suddenly needs money. Another man comes into her life who seemingly cares for her circumstances.
This man is played convincingly, not as a villain nor as a letch, rather as a genuine character who understands the risks and rewards of an illegal business. He honestly shows Maria what to expect from working for "the Man," by carrying heroin in her stomach on commercial flights to New York. Maria becomes a drug mule—the drug is wrapped in pellets and swallowed, to be excreted the morning after flight.
Few moments in cinema speak such volumes about the illicit drug trade as snippets of film showing:
making the travel arrangements
training the mules how to ingest the pellets
methods for avoiding police (and customs’) scrutiny
rendezvousing with sleazy middlemen on the destination side
A woman in the business befriends Maria. This woman is also mainly a victim, and recognizes the risks of arrest or of painful death should one of the pellets rupture. I won’t reveal the story’s denouement as Maria reaches New York, but she requires all her resourcefulness to survive. Happiness is problematic.
I think Moreno, as an actress, is a real find. She has exactly the right amount of attractiveness to avoid looking Hollywood, and she conveys a quick intelligence and flair for dialog. One is drawn to her sense of life, and finds oneself earnestly hoping for a decent ending. And a good career in movies. :)
Needless to state, a movie like Maria Full of Grace represents another nail in the coffin of drug prohibition. No one with a shred of humanity or intelligence can fail to see the effects of interfering in voluntary, peaceful trade in pharmaceuticals—it’s what creates the dangerous market for its participants, as well as surrounding public.
Violation of the nonaggression principle by criminalizing drugs leads to crimes against humanity of holocaustal proportions. If Maria overcomes the odds, successfully defies the government antidrug goons, and makes a life for herself, she becomes the heroine of heroin.
Popcorn
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